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Select Installer Language. Printing with ErgoSoft RIP. Type “Trial Version” is meant for a test version installation without dongle but will still require a.

I have recently converted our 9900 to run a set of K7 neutral inks, both matte and gloss. The black channel in the printer is permanently clogged so I have loaded the new Ultra HD Matte black in the orange slot and the new High Density Photo Black into green, I have Piezoflush in the MK and PK cartridges. I am using ErgoSoft V15 to run the printer and create our own setups for each paper. Basically my issue is that prints are too yellow in the lighter tones, slightly blue in the darker tones but then a nice neutral black. This is happening on different papers, Hahnemuhle Photo Rag, Hahnemuhle German Etching, Canson Rag Photographique, Ilford Textured Cotton Rag and Ilford Cotton Artist Textured are what I have tried. I have printed the 10 ink purge image from QTR in calibration mode with ink calibration on 100, 2880 dpi and unidirectional, I cropped it to save paper.

I have attached a photo of it, it’s just a snap from my phone sorry. I printed it on Ilford Cotton Artist Textured, a warm paper with no OBAs. I scanned each patch in i1Profiler to check I’m not going crazy, these are the results. I get the same sort of results on all matte papers that I have tried. I haven’t made it to gloss properly yet. L a b Paper white 97.77 0.1 2.09 Shade 7 83.92.52 4.43 Shade 6 76.19 1.69 4.01 Shade 5 57.01.61 3.75 Shade 4 38.09.84 1.71 Shade 3 23.37 1.49.14 Shade 2 21.67.93 1.13 UHD MK 15.16.26.54 When I set up the printer I did an initial fill with Piezoflush and let it sit for 48 hours, and then filled with the K7 inks and did an initial fill. I have since done another two initial fills with the inks after agitating the cartridges just to make sure there’s no settling.

I have also cleaned the capping station. Any suggestions are most appreciated. Hi Walker, Thanks for your feedback, sorry I couldn’t get back to you sooner.

First thing, I have already used up a bottle of each of shades 6 and 7 so I don’t know what their lot numbers are, however I have recently refilled them and the new lot numbers are #131223, on both shades. I have done many nozzle checks and the K has not budged. I did start out trying QTR, however because I have had to remap channels I could not get it to co-operate.

No matter what I tried in changing the channels in the text files, it simply would not work. Because I could not get any further I can’t comment anymore about QTR. StudioPrint allows us to easily remap channels and create new setups from scratch for any paper we choose, so for us in a lab environment it’s perfect as we can be completely independent. I can’t comment on the quality of QTR prints but we are getting deep blacks and excellent shadow rendition.

Hi Walker, I’m interested to hear what you find with your testing. The use of selenium shades sounds interesting, I haven’t really looked into them to be honest. The issue with that is I literally just topped up all our cartridges yesterday with neutral shades, so I have a 9900 chock full of neutral inks! It’s a tricky situation, the prints are beautiful, just slightly different to what we had in mind, more a slight split tone.

We are a lab and we are starting to show prints to our customers, we can’t really start swapping inks around. It’s true that “neutral” is really what I like to refer to as a “European Neutral” the paper base of FORTE. Almena method touch typing software. This color is more stable perceptually in a “classic silver sense” than leaning towards the magenta/blue end.

Epson and Canon “neutral” is just incredibly blue and magenta. I’ve actually introduced that kind of neutral (a much more subtle version) into the Pro inkset (of course you can then also choose which neutral you want with that set) because I’ve always personally leaned towards the more polar white end of the neutral spectrum instead of the classic silver yellow/green base-tone end. I transitioned from a dual quad split (selenium and warm neutral) in my lab in Chicago to neutral K7. Right off the bat I noticed some optical “green/yellow” and the ink has been consistent ever since (12 years and counting now) and also our top seller. There’s a few reasons for this but the main reason is that this ink was built with Hahnemuhle Photo Rag v1 formulation (aka, HPR changed significantly over the years and this effected how the paper base white and ink interacts). There is never a way to make a perfectly neutral ink due to paper chemistry and viewing conditions.